In 2001 our new purpose-built gallery space, QCA Gallery, in the Brisbane City (South Bank) campus opened

2001 | Place / Displace

QCA Gallery | 16 November 2001 – 16 January 2002

Place/Displace is the first exhibition to open at the new Queensland College of Art Gallery at South Bank. The title and Concept of this exhibition developed in response to the long-awaited re-location of QCA Gallery that has now secured its place in Queensland’s central cultural precinct. Place/Displace features a selection of mixed media works by eight postgraduate students from QCA. - Sophie McIntyre, Curator

"Queensland College of Art is proud of its new gallery on its new site. It is our intention to make this venue an important one on the É«ÇéÍøÕ¾n cultural landscape." - Mostyn Bramley-Moore, Provost and Director, QCA.

Artists: Vernon Ah Kee, Katie Barnes, Venus Ganis, Jo Grant, Brad Nunn, Donna Marcus, Paula Payne, Janice Peacock.

Image: Place/Displace, installation view, Griffith University Art Museum, Brisbane, 2001. Photo: Peter Wanny

2002 | No Muttering: an exhibition of contemporary print

QCA Gallery | 26 January 2002 - 24 February 2002

An exhibition on inventive and sometimes unusual printmaking processes. No Muttering, is a vibrant collection of print-based works by 16 contemporary É«ÇéÍøÕ¾n artists.

Curated by Rilka Oakley, toured by Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales

Artists: Brook Andrew, Raymond Arnold, Nick Bleasel, Jan Davis, Mary Dorahy, Lesley Duxbury, Neil Emmerson, Mirabel FitzGerald, Ruth Johnstone, Gary Jolley, Pia Larsen, Helen Mueller, Patsy Payne, Erica Seccombe, Kim Westcott and John Young

Image: No Muttering: an exhibition of contemporary print, installation view, Griffith University Art Museum, Brisbane, 2002. Photo: Peter Wanny

2002 | Inaugural Thiess Art Prize

QCA Gallery | 21 March 2002 - 7 April 2002

Coordinated by Naomi Takeifanga

The exhibition, a selection of works from 2001 QCA final year exhibitions, incorporates the disciplines of gold and silversmithing, painting, sculpture, printmaking, photography, video, digital video and installation.

The Thiess Art Prize includes a $4000 acquisitive award and two highly commended awards of $500 each. The exhibition was judged by Queensland Art Gallery director Doug Hall, Thiess Pty Ltd managing director Roger Trundle, and QCA Provost and Director Professor Mostyn Bramley-Moore.

Artists: Rye Barry, Katie Barrnett, Jess Berry, Isaac Brown, Gloria Beckett, Catherine Chui, Sophie Codrington, Athene Currie, Suzanne Danaher, Linda Dennis, Katherine Eames, Michelle van Eps, Joachim Froese, Alan Hill, Leigh Kable, Sonja Knudsen, Justin Kuo, Felicia Lloyd, Lise MacDermott, Debbie Mandelkow, Sung-Kwon Park

Michelle van Eps won the award with her work ‘Intentions’ Series 1-4, 2001.

Image: Inaugural Thiess Art Prize, installation view, Griffith University Art Museum, Brisbane, 2002. Photo: Jon Linkins

2002 | Chris Barry: Out of Place

QCA Gallery | 11 April - 19 May 2002

A photographic project by Melbourne artist Chris Barry marks the first solo exhibition to be held at the Griffith University Queensland College of Art Gallery at South Bank.

Out of Place, explores the themes of identity, place, ecology and culture in É«ÇéÍøÕ¾.

The exhibition presents three quite different views of Central É«ÇéÍøÕ¾ - the glistening exuberance of Aboriginal children at a swimming pool; the dry, flat scenery punctuated by ancient volcanic eruptions; and the lush green of a landscape brought to life by the rains. Chris Barry has returned to Central É«ÇéÍøÕ¾ every year since 1993, when she won the Alice Prize at the Aruluen Arts Centre, Alice Springs.

"Each summer (December-March) I set up a studio/art practice for a period of 10 weeks. Out of Place is an attempt to negotiate this experience. This is a project about the realities and complexities of contemporary É«ÇéÍøÕ¾n identify, seen through the dialectics of 'otherness'.

"My journeying and photographing of Alice Springs, Central É«ÇéÍøÕ¾, becomes other to what I or we know. It continues along the historic trajectories of the centre/edge experience.

"Out of Place is a multifarious commentary on interpretation and belonging."

Image: Chris Barry: Out of Place, installation view, Griffith University Art Museum, Brisbane, 2002. Photo: Peter Wanny

2002 | Other Views

QCA Gallery | 25 May - 23 June 2002

Curated by: Timothy Morrell

The exhibition of contemporary É«ÇéÍøÕ¾n art includes paintings, sculptures, photographs, prints and video. These eighty-one works are from the internationally recognised Griffith University Art Collection.

Exhibition curator Timothy Morrell said a distinguishing character of the Griffith University Art Collection was “the tendency for the works to provoke a strong engagement with the viewer, politically or visually and often both.”

“Many of the works were acquired because they express a fairly strident, often dissenting, point of view,” he said.

“Marginalised and minority voices are sometimes amplified to become prevalent. The Redback Graphix works in the Poster Collection illustrate this."

“A less assertive and often more interesting point of view is often provided by works that seem non-aligned because they cross over and straddle conventional cultural boundaries. Works by artists such as Gordon Bennett, Tracey Moffatt, Luke Roberts, Rose Farrell and George Parkin are in this category."

“The Collection is also notable for large works by well-known artists who use epic scale for its unsettling rather than confidently heroic qualities, such as the works by Mike Parr, Ken Orchard, Julie Rrap, Dale Frank and Bill Henson.”

Other Views provides the opportunity for a more consolidated reading of the Collection to be extended to further audiences. The Griffith University Art Collection is normally integrated into the everyday life of the diverse communities within the University's five campuses.

Artists: Davida Allen, Andrew Arnaoutopoulos, Di Ball, Jill Barker, Gordon Bennett, Kate Benyon and Michael Pablo McKenzie, Cherie Bradshaw, Ian Burn, Michael Callaghan, Paul Cockram, Justine Cooper, Robert Ambrose Cole, Tony Coleing, Adam Cullen, Joanne Currie, Destiny Deacon, Linda Dement, Drunk Persons, Lesley Dumbrell, Earthworks Poster Collective, Rose Farrell and George Parkin, Dale Frank, Lynette Finch, Jeff Gibson, John Gillies, Peter Hannessey, Bill Henson, Leigh Hobba and Noel Sheridan, Annie Hogan, Tim Johnson, Teresa Jordan, Christopher Koller, Derek Kreckler, Colin Lanceley, Lucifoil (Angela Gee), Ruth Maddison, Tracey Moffatt, Robyn McDonald, David McDiarmid, Marie McMahon, Bessie Nakamarra Sims, Ivy Napangardi Poulson, Judy Napangardi Watson, Michael Nelson Jagamarra, Ken Orchard, Mike Parr, Rachel Perkins and Ned Landers, Randelli, Cindy Ranger, Bruce Reynolds, Luke Roberts, Julie Rrap, Chris Stannard, Ruby Spowart, Kathy Temin, Ken Thaiday Snr, Rover Thomas, Hiram To, Peter Tyndall, Katarina Vesterberg, Linda Wallace, Brett Whiteley

Image: Other Views, installation view, Griffith University Art Museum, Brisbane, 2002. Photo: Peter Wanny

2002 | Listen to The Land

Aboriginal Art from the Edith Cowan University Art Collection

QCA Gallery | 27 June - 1 September 2002

The exhibition ‘Listen to the Land’ brings together for the first time more than 100 artworks from the Edith Cowan University’s Aboriginal Art Collection. Listen to the Land toured across É«ÇéÍøÕ¾ and included a strong educational component with a video display and an interactive CD-ROM.

Image: Listen to The Land, installation view, Griffith University Art Museum, Brisbane, 2002. Photo: Peter Wanny

2002 | Animated Film from Germany

QCA Gallery | 6 September - 3 November 2002

Curator: Albrecht Ade

Organised by ifa, Institut fur Auslandsbeziehungen (Institute for Foreign Cultural Relations, Stuttgart) and toured by the Goethe-Institut Inter Nationes, Sydney.

Artists: Thomas Meyer-Hermann, Susanne Franzel, Andreas Hykade, Jochen Kuhn, Daniel Nocke, Heinrich Sabi, Thomas Stellmach/Tyron Montgomery, Kirsten Winter

Image: Thomas Meyer-Hermann ‘Flugbild’ 1988, 35mm animation (detail)

2002 | Designing Futures

QCA Gallery | 7 November 2002 - 5 January 2003

A touring exhibition of finalists of the É«ÇéÍøÕ¾n Design Award™– Dyson Student Design Award

The É«ÇéÍøÕ¾n Design Award™- Dyson Student Design Award has been created to profile, encourage and support the burgeoning designers who aspire to the principles of ‘complete design’.  The finalists are the pinnacle of design excellence currently flourishing in our educational institutions; and will play a marked part in the economic and cultural growth of our future.

Image: Designing Futures, installation view, Griffith University Art Museum, Brisbane, 2002. Photo: Mick Richards

2003 | Why Make Prints?

Printmaking in Switzerland from 1960: Artists, Printers, Publishers

QCA Gallery | 15 January – 9 February 2003

An exhibition of PRO HELVETIA. Arts Council of Switzerland toured by the Consulate General of Switzerland (Sydney)

Concept and production: Annemarie Bucher

'Why Make Prints?’ shows the development of printmaking in Switzerland since 1960 in nearly 80 works by 51 artists. Works are grouped by techniques and document developments from screen-printing to the experimental woodcut, engraving, lithograph and the involvement of the computer.

2003 | Transit Narratives

QCA Gallery | 14 February – 6 April 2003

Transit Narratives has come to fruition as a collaboration between: Queensland College of Art (Griffith University), the Victorian College of the Arts (University of Melbourne), Tasmanian School of Art (University of Tasmania), School of Art (Curtin University of Technology), and the Italian Institute of Culture, Melbourne.

Artists: Vernon Ah Kee, Tracey Allen, Sue Baker, Gordon Bennett, Kate Bliss, Mostyn Bramley-Moore, Pat Brassington, Jon Cattapan, Christian De Vietri, Sebastian Di Mauro, Marian Drew, John Dunkley-Smith, Merrin Eirth, Rina Franz, Richard Giblett, Elizabeth Gower, Bill Hart, Pat Hoffie, Philip Hunter, Bob Jenyns, Larraine Jenyns, Christopher Koller, Victor Majzner, Donna Marcus, Milan Milojevic, Jan Murray, Anne Neil, Max Pam, Xavier Pardos, Elizabeth Presa Bruce Reynolds, Carol Rudyard, Mary Scott, Miriam Stannage, David Stephenson, Jenny Watson, Jurek Wybraniec, Jay Younger, Paul Zika.

Image: Transit Narratives, installation view, Griffith University Art Museum, Brisbane, 2003.

2003 | Transit Narratives – Eric Snell

QCA Gallery Foyer | 14 February – 6 April 2003

Visiting UK/Guernsey-based artist, Eric Snell, worked with fire and charcoal directly on the QCA Foyer Gallery was as part of an ongoing investigartion into drawing, the transitory nature of energy transfer, and an interest in light and shadow. It’s part of the supporting proram for ‘Transit Narratives’.

Snell takes a timber object and burns it to create charcoal, the medium with which he then draws that object. On this occasion Snell has decided to burn/inscribe parts of a cricket wicket, expressed as a larger-than-life anamorphic projection along a 9-metre wall, as if knocked in the air [or bowled out]

Image: Transit Narratives - Eric Snell, installation view, Griffith University Art Museum, Brisbane, 2003.

2003 | Luo Brothers: World Famous Brand Name

QCA Gallery | 11 April – 1 June 2003

É«ÇéÍøÕ¾’s first solo exhibition of works in a public gallery by The Luo Brothers, residents of Song Village, a farming community on the outskirts of Beijing China.

Curator: Simon Wright

Exhibition opening 1st May, 2003. With guest speaker Kevin Rudd MP, Shadow Minister for Foreign Affairs, and Ray Hughes, The Luo Brothers representative in É«ÇéÍøÕ¾.

Exhibition Partners: Ray Hughes Gallery

Image: Luo Brothers: World Famous Brand Name, opening event, Griffith University Art Museum, Brisbane, 2003. Photo: Mick Richards

2003 | Requiem

By the photographers who died in Vietnam and Indochina

QCA Gallery | 6 June – 20 July 2003

Toured by George Eastman House International Museum of Photography and Film, New York. In association with Griffith Artworks and Multi-Faith Centre, Griffith University. Organised by Tim Page and Horst Faas.

The QCA Gallery was painted black with photographs divided into groupings under the headings: A Distant War, Faces of Humanity, Escalation, Quagmire and Last Flight. With ‘The Wall of Remembrance’ displaying 135 portraits of the photographers.

Image: Requiem: By the photographers who died in Vietnam and Indochina, opening event, Griffith University Art Museum, Brisbane, 2003. Photo: Tim Page

2003 | Fiona Foley: Red Ochre Me

QCA Gallery | 25 July – 14 September 2003

Toured to Casula Powerhouse

Griffith Artworks presented an exciting and challenging array of new and recent works by Fiona Foley, one of É«ÇéÍøÕ¾’s pre-eminent contemporary practitioners in Red Ochre Me.

Red Ochre Me features drawings, along with previously unseen photographs, installations and paintings centred on the artists developing investigations into her family history, race relations and sexual politics on the colonial and contemporary É«ÇéÍøÕ¾n frontiers. Complementing the exhibition, in the QCA Gallery Foyer an important acquisition for the Griffith University Art Collection was also on display Booral Mangrove (1995).

Curators: Simon Wright and Fiona Foley

Image: Fiona Foley: Red Ochre Me, installation view, Griffith University Art Museum, Brisbane, 2003. Photo: Tim Page

2003 | The 2003 Thiess Prize

QCA Gallery | 15 November 2003 – 4 January 2004

The annual Thiess graduating student exhibition with finalists selected from graduating students of Fine Art, Photography and Contemporary Indigenous Art Degrees, and final year Honours and Postgraduate students.

Just under 100 entries were received from Queensland College of Art students for the 2003 award, with 24 finalists selected for the exhibition. The works, all by emerging artists from the Gold Coast, Logan or Brisbane campuses were judged to have best met the Selection Criteria set out in the Call for Entries. As the selection process was extremely competitive, non-selection did not mean other projects lacked merit, but that selection criteria were best met by these finalists.

Artists: Paul Adair, Nick Ashby, Linda Ault, Nick Batchelor, Beata Batorowicz, Jenny Carter-White, Lisa Christensen, Bill Church (Highy commended), Jason Castro Dooley, Shannon Ghannam, Jessica Hall, Jennifer Herd, Taya Lindner, Anthony Lister, Kittikong Metharong, Virginia Miller, Peter Milne (Highy commended), Maurice Ortega, Kyu Hee Park (Highy commended), Cameron Rutter, Liz Shaw, Caitlin Sheedy, Arryn Snowball, Rachel Toohey

Jennifer Herd won the 2003 Thiess Art Prize for her work ‘Irvinebank massacre, c.1884’.

Taya Lindner won the 2003 Thiess Art Prize People’s Choice Award.

Judges: Mr Roger Trundle (Managing Director THIESS Pty Ltd), Mr Philip Bacon (Philip Bacon Galleries, Brisbane), Professor Mostyn Bramley-Moore (Director QCA)

Image: The 2003 Thiess Art Prize, opening event, Griffith University Art Museum, Brisbane, 2003. Photo: Mick Richards

2003 | Focus Exhibition in Memory of Ron Hurley (1946 –2002)

QCA Gallery Foyer | November 2003 – January 2004

Ron Hurley was known and respected widely as a painter, printmaker, ceramicist, sculptor and cross-cultural ambassador. His remarkable contribution to indigenous cultural affairs in Queensland and as a former long-standing member of staff at the Queensland College of Art and Design, had, for over several decades, seen him travel internationally and around É«ÇéÍøÕ¾ to get his messages across.

The works in this exhibition were borrowed from the ATSIC Brisbane Regional Offices.

Image: Ron Hurley,  'Macaroom' 1990,  embossing on inked paper, 27 x 38cm.  Griffith University Art Collection. Purchased 2003. Photo: Carl Warner

Celebrating 50 years

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